Monthly Newsletter

Want to stay informed? Latitude45News, our monthly newsletter, regularly brings you news and updates from our artists. Subscribe here.

Archive

Download PDF versions of previous Latitude45News issues below.

2010 May
2010 April
2010 March
2010 February
2010 January

2009 November
2009 October
2009 September
2009 July
2009 June
2009 May
2009 April
2009 March

News

Tambuco - Tambuco launches North American Tour in September
Latitude 45 - Latitude45News - March 2010
Latitude 45 - Latitude45News - February 2010
Latitude 45 - Latitude45News - January 2010
Lamentations of Jeremiah - "The sadness of Centuries"
Latitude 45 - Latitude45News - November/December 2009
Latitude 45 - Latitude45News - October/November 2009
Latitude 45 - Latitude45News - September 2009
Jenny Lin - The finest version yet
Tafelmusik Baroque Orchestra - Galileo Project is out of this World
Jenny Lin - Fresh thoughts on new music: Jenny Lin's inspired 'Insomnimania'
Jenny Lin - InsomniMania: An intense artistic trance
artist_pict Lamentations of Jeremiah


Artist page
"The sadness of Centuries"
December 8, 2009, 12:00 am

Elissa Poole
From Tuesday's Globe and Mail
Published on Monday, Dec. 07, 2009 12:10PM EST
Last updated on Monday, Dec. 07, 2009 5:32PM EST
Peter Anthony Togni: Lamentatio Jeremiae Prophetae

Jeff Reilly, bass clarinet
Elmer Iseler Singers
Lydia Adams, conductor
ECM New Series
The words of Jeremiah – the Bible's Cassandra, his prophecies of doom unheeded – have inspired composers for centuries, from Palestrina in the 16th century to Leonard Bernstein in the 20th. Peter Anthony Togni, whose Lamentatio Jeremiae Prophetae is the first Canadian work to be recorded for the eclectic ECM New Series label (and who is widely known as a CBC Radio 2 host), is perhaps the most recent of these. Togni's Lamentations share aesthetic and spiritual ground with such composers as Osvaldo Golijov, Arvo Part and John Taverner, but it is the solo bass clarinet's plangent, gritty and sometimes shrill personification of the prophet – which sounds “with the sadness of centuries” against the close, modal harmonies of the choir – that gives this setting its potency.


Globe & Mail