Cris Derksen 04 credit Tanja Tiziana LR.

Bongani Ndodana-Breen

Sea Point Story

Music by Bongani Ndodana-Breen
Libretto by Nicholas Spagnoletti

“A Sea Point Story” is a new chamber opera based by composer Bongani Ndodana-Breen based on the play “London Road” by Nicholas Spagnoletti. The play received 3 Fleur du Cap Awards, and The Stage [Edinburgh] Award, it also won a Standard Bank Golden Ovation award, a Naledi Theatre Award and the Olive Schreiner Prize from the English Academy of SA.

The opera is set in Sea Point in South Africa, just after the of end of apartheid in the late 1990s. Sea Point was then a dangerous area due to high crime, absentee landlords and an influx of illegal immigrants. However, even through difficult times Sea Point kept its charm due to the communal beach-front promenade used by residents from all backgrounds for walking, socializing, and enjoying the fresh sea air.

Set during South Africa’s political transition, “A Sea Point Story” is the moving account of an unlikely friendship between two women. The libretto spans the course of several months in the lives of the elderly Rosa and the much younger Stella.

While the two live in the same apartment block, they have very different personalities and histories. Stella's flat is the old caretaker's flat – small, cramped and in bad condition. Rosa's flat is bigger and more comfortable with a balcony and a view of ocean.

Rosa is a privileged elderly Jewish widow whose children have emigrated to Australia and Israel. Neglected by her children and alone in South Africa, she battles with memory loss and frailty but keeps busy by being overly involved in the lives of those around her. Stella is a young Nigerian woman who is street smart and an illegal immigrant dealing with the trauma of a husband who deserted her after infecting her with HIV.

Brought together by a chance meeting in Stella’s apartment, the two women form an unlikely friendship that grows from suspicion and meddling to true affection. Both revel in their cynical yet humorous view of the world as their experiences in, and musings about, the world strengthen the bond between them. A friendship that was once inconceivable to both of them due to their race, class and age difference becomes a source of strength through the various challenges they confront. “A Sea Point Story” touches on issues such as the interconnected nature of xenophobia, gentrification, HIV-status, elder-care, gender, race and class, this new

South African chamber opera produced by Africa Arts addresses issues of intersectionality through the lens of a shared humanity.

SPECS

Duration:

Movements:

Instrumentation:

Number of singers: Rosa (Mezzo), Stella (Soprano) SATB Chorus of 8 (including a tenor and bass that sing brief solos)

Number of instrumentalists: 12

Tech:

BACKGROUND

Date of composition:

2022

Commissionner:

Developed by Africa Arts Group

Performances:

To be premiered in 2023

Awards:

Press:

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ABOUT THE COMPOSER

Composer Bongani Ndodana-Breen has written a wide range of music encompassing symphonic work, opera, chamber music and vocal music. According to The New York Times his “delicately made music - airy, spacious, terribly complex but never convoluted - has a lot to teach the Western wizards of metric modulation and layered rhythms about grace and balance.” Performers around the world have performed his music including the Minnesota Orchestra, Belgian National Orchestra, Indianapolis Chamber Orchestra, Anhaltische Philharmonie Dessau, Vancouver Opera Orchestra, Symphony Nova Scotia, Hong Kong Chinese Orchestra, Kwa Zulu-Natal Philharmonic, Johannesburg Festival Orchestra, Johannesburg Philharmonic, Cape Town Philharmonic, New York City’s Vox Vocal Ensemble, New Julliard Ensemble, Juventas Ensemble, Continuum Contemporary Music Toronto, Chicago’s Cube Ensemble, Avalon String Quartet and Ossia.

Le compositeur Bongani Ndodana-Breen a écrit un large éventail de types d'œuvres musicales incluant des œuvres symphoniques, des opéras, de la musique de chambre et de la musique vocale. Selon le New York Times sa “musique délicatement conçue - aérienne, spacieuse, d’une complexité terrible, mais dont le raffinement n’est jamais excessif - a beaucoup à apprendre aux fins experts de la modulation métrique et des rythmes superposés à propos de la grâce et de l’équilibre.” Des musiciens de partout à travers le monde ont interprété sa musique, notamment le Minnesota Orchestra, le Belgian National Orchestra, l’Indianapolis Chamber Orchestra, l’Anhaltische Philharmonie Dessau, le Vancouver Opera Orchestra, la Symphony Nova Scotia, le Hong Kong Chinese Orchestra, le Kwa Zulu-Natal Philharmonic, le Johannesburg Festival Orchestra, le Johannesburg Philharmonic, le Cape Town Philharmonic, le New York City’s Vox Vocal Ensemble, le New Julliard Ensemble, le Juventas Ensemble, le Continuum Contemporary Music Toronto, le Cube Ensemble de Chicago, l’Avalon String Quartet et Ossia.

ABOUT THE LIBRETTIST 

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