Profeti della Quinta
Doron Schleifer, countertenor
Roman Melish, countertenor
Lior Leibovici, tenor
Dan Dunkelblum, tenor
Elam Rotem, bass, harpsichord & musical direction
Ori Harmelin, chitarrone
“One is constantly struck by the quality and homogeneity of their sound.”
Ensemble Profeti della Quinta focuses on the vocal repertoire of the 16th and early 17th centuries. They create vivid and expressive performances for audiences today while considering period performance practices. From its core of five male singers, the ensemble collaborates regularly with instrumentalists and guest singers. Their programmes range from explorations of the Italian madrigal to seldom-heard Jewish sacred music and more.
In 2011 the ensemble won the York Early Music Young Artists Competition, and has since performed in Europe, Israel, North-America, China and Japan.
Profeti della Quinta has released 10 albums on the Pan Classics, tiroler landes museen, Glossa, and LINN labels. Profeti's founder, Elam Rotem, is also the founder of earlymusicsources.com, an essential resource for early music manuscripts and scholarship. Originally from the Galilee region of Israel, the group is now based in Basel, Switzzerland, where they regularly collaborate with the Schola Cantorum.
Programmes and projects
Madrigals and Hebrew prayers by Salomone Rossi (c. 1570-1630)
A program portraying the Jewish Italian composer by highlighting the variety of his musical output, comprising Italian madrigals and instrumental music as well as unique Hebrew-texted music for the Synagogue.
The Story of the Italian Madrigal
The Madrigal was the most prominent genre of secular vocal music in the Renaissance and early Baroque. This program follows its evolution from the highly expressive polyphony of Cipriano de Rore, to the revolutionary madrigals by Claudio Monteverdi that shaped the Baroque era.
Madrigals and Motets by Luzzasco Luzzaschi (c.1545-1607)
Luzzaschi, though hardly known nowadays, was in fact both musically and historically one of the central musical figures of the late Renaissance. This program explores great variety of his oeuvre; madrigals, motets, as well as his monodies and duets.
“The ensemble does wonders with this highly demanding repertoire. The singers blend their voices with perfect intonation, rendering the polyphony with all the purity and radiance it requires. One is constantly struck by the quality and homogeneity of their sound.”
— Luca Dupont-Spirlo
“We applaud the fine group from Basel, led by Elam Rotem, who samples the entire output of this fascinating composer, a true icon of the ‘Avant-garde of the past.”
— Denis Morrier,