-- Allan Kozinn, The New York Times
American violinist Madalyn Parnas secures her place on today’s concert stage as a player bringing an undeniably unique style, artistry, and musical vision to each performance. FromThe New York Times in this regard, “Ms. Parnas gave a fiery account… and negotiated this [technical] minefield with assurance and vigor, but she also seized the opportunities offered by this changeable score’s lyrical interludes and fleeting touches of humor.” During the 2014-2015 season, she performs with the London Philharmonic, the Alexandria Symphony, and the Schenectady Symphony Orchestras. She presents in chamber music concerts at New York’s Honest Brook Music Festival and Maverick Concerts, and at the Russian Museum of Art in Minnesota. While on tour in Asia, Ms. Parnas performs in recital both as soloist and chamber artist. She is currently pursuing her Doctorate in Musical Arts at the Indiana University Jacobs School of Music.
Ms. Parnas made her orchestral debut at age twelve with the Woodstock Chamber Orchestra performing the Kabalevsky Violin Concerto. Though her formal musical studies began at four in piano, voice, and violin, at this time the violin became her voice. Numerous concerto competition prizes led to many concerto engagements, and today Ms. Parnas has performed more than 60 times as soloist throughout the U.S. and Europe. Last year she toured with the L’Orchestre National des Pays de la Loire performing the Saint-Saëns Violin Concerto No. 3 and La Muse et le Poète, and as a featured artist-in-residence at the El Paso Pro-Musica Festival, she performed with the El Paso Symphony. She has appeared with the New York String Alumni Orchestra conducted by Jaime Laredo, with David Alan Miller’s Albany Symphony Orchestra, and Randall Fleisher’s Hudson Valley Philharmonic, among many others.
Ms. Parnas’ chamber music career began in 1997 when she and life-long musical partner, cellist Cicely Parnas, performed on stage as a duo. Ten years later at Carnegie Hall, the sisters took 1st prize in international chamber music competition. They have concertized with renowned artist Peter Serkin as the Parnas/Serkin Trio, and have collaborated with Jaime Laredo, Sharon Robinson, Peter Wiley, and Maxim Vengerov, among others. The duo parnas has performed in festivals throughout North America, Europe, and Israel including the American Composers Festival, Tannery Pond and Maverick Concerts, Music Mountain, Tanglewood, and Honest Brook and ShortGrass Music Festivals in the US; Banff and Lachine Music Festivals, and Bravo Music! in Canada; and the ProQuartet Festival in France. Upcoming are debuts at Musical Arts Festival in Shanghai and Macao.
The duo parnas has released three albums on the Sheffield Lab label. duo parnas NOW (2014) features award-winning composers of the 21st century, including Lera Auerbach, William Bolcom, Paul Moravec, and Charles Wuorinen. Parnas Double (2008) and Gare du Nord (2010) have received rave reviews and international recognition. On Albany Records, The Other Side of Time (2012), an album of works by composer Brian Fennelly, features the duo as soloists with David Dzubay’s New Music Ensemble in a live performance of Fennelly's double concerto, Fantasia Concertante. After this concerto took 1st prize in competition, the duo recorded it with the Fauxharmonic Orchestra, an ensemble of digital instruments “conducted” by Paul Henry Smith.
Ms. Parnas is a 2012 Marshall Scholar. She holds a M.A. in Violin Performance, graduating with distinction from London’s Royal Academy of Music; an Artist Diploma from the Jacobs School of Music, where she earned the Josef Gingold Award and twice the Artistic Excellence Award; and a B.S. from The College of Saint Rose, graduating summa cum laude with majors in Music Industry and French. Currently she is pursuing her D.M.A. at Indiana University with Mark Kaplan. Her teachers include grandfather and legendary cellist Leslie Parnas, György Pauk, Jaime Laredo, James Buswell, and Betty-Jean Hagen. Ms. Parnas performs on a 1715 Alessandro Gagliano violin.
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